Milissa Ellison Dewey: Weaving
Milissa is a PhD educated historian of the early modern era in Europe and North America. She has been a working fiberartist (primarily spinning and weaving) for nearly 30 years. She is also a journeyman woodturner, having completed a formal seven year apprenticeship in 2016. She and her husband, master woodturner Alan Dewey, are “Bobbin Boy”, the internationally famous antique fiberarts equipment restoration team. They live and work in West Asheville.
Ellen Foltz: Rug Hooking
Ellen moved to Vermont to attend the New England Culinary Institute in 1983 and made a career as a pastry chef and baker. While in Vermont she attended a workshop conducted by Amy Oxford and became hooked on hooking and punching! Since moving to NC in 2000, she spends most of her time hiking and rug hooking, both punch needle and traditional. She is a proud member of Merrie Mountain Hookers in Asheville.
Charlotte Cornell-Simmons: Weaving
Charlotte is an award winning weaver who creates on a floor loom, rigid heddle loom and an inkle loom. She is also a spinner, dyer, quilter and knitter, as well as a Master Gardener. In her words, “My love of color and experimentation define my work.”.
Hazel Delcourt: Spinning
Hazel is a retired Professor of Ecology (University of Tennessee, Knoxville) who has 25 years of experience spinning cotton, wool and flax yarns using a variety of hand-held spindles and spinning wheels. She loves to knit and since joining Heritage Weavers and Fiber Artists in Hendersonville, she has also been learning to weave using both commercial and hand-spun yarns. She is currently teaching a class on the Great Wheel, part of the long standing heritage of the Southern Appalachian Mountains.
Pat Koss: Knitting
A false start in knitting when she was ten or twelve (many holes and fabric so ugly she quit the Girl Scouts—no knitting badge for you!) was overcome a few years later by boredom—she needed something to occupy her time when babysitting. Pat wanted a Shaker sweaterso she taught herself how to knit one. And so it was. She hasn’t stopped since, except to raise her family—both two- and four-legged.
Pat’s current obsession is Portuguese knitting (“it’s like a new religion to me”).
She loves learning new techniques and has no qualms about abandoning one project to take up something new. “She with the most projects wins!” is Pat’s motto—we fantasize about what her Unfinished Object stash must look like. However, sweaters for the granddaughters and a new hat in high school colors for her grandson will be coming off Pat’s needles soon.
With knitting, crochet, inkle loom weaving, embroidery and sewing decorative pillows and ornaments in her repertoire (“give me a needle and I’ll
make something!”), we bet she would be a force to be reckoned with at the State Fair.
Ann Proffitt Mullican: Weaving
Ann’s response to the question, “What do you do?”, is, “I’m a fiber artist, primarily a weaver”. She has enhanced her weaving skills at Penland School of Crafts, John C. Campbell Folk School, Arrowmount Craft School and Cameron Fibre Arts – Computer Aided Design in Canada. Her work has appeared in several juried shows and she has received many awards for weaving and design. She has taught at: Arrowmount Craft School, Norris Craft Center in TN, Michigan League of Handweavers, Wilderness Weavers Guild, Western NC Fiber/Handweavers Guild, Southeast Fiber Forum, Riverbend Fiber Arts Guild, Gallery 86, Waynesville, NC and has served as advanced weaving instructor at HWFA since 2002. She has been published in the Winter ’92 issue of Shuttle, Spindle & Dyepot and co-authored Young Weaver’s Primer, Learning to Weave. Ann belongs to Western NC Fibers/Handweavers Guild, Heritage Weavers and Fiber Artists, Inc., Handweavers guild of America, Complex Weavers, Michigan League of Handweavers, The Arts Council of Henderson County, Foothills Craft Guild, a regional juried guild in TN, and The Art Market, a juried art market in Knoxville, TN.
Zsa Lobel: Basketry
Zsa came to basket weaving because her doctor prescribed it as an antidote to her pressure-ridden career of running a company and solving other people’s problems. Claiming to have had “no creative life before weavers and risers,”
Zsa qualified as a Master Basket Weaver after a year of learning. She embarked on finding her own style when her instructor said she had nothing else to teach Zsa, and it was time for her to go explore and develop her own basket “character.” Hence, Zsa’s «Out-of-the-Box» basket weaving series, which explores developing art baskets using unusual materials such as pottery, found materials and unusual dyes, was born. In fact, Zsa views all materials as fair game to make baskets--reed, grapevine, grasses, wire, ribbon, leather, fabric and virtually anything that is long and narrow. Look for gourds and antique wood blocks to make an appearance in her class offerings.
Like any artist, Zsa loves her tools. She says they fit her hand in an intimate way. “Some tools are just utilitarian, but some are my friends.” In particular, her square handled ice pick and her old Tupperware lettuce keeper. You’ll have to take the Ginger Jar class to find out why.
Roberta Platt: Knitting
Roberta has been knitting since her Aunt Mary taught her the craft at the age of 10 and she never stopped. She taught knitting at Knitting With Nancy in Naples, Fl for 10 years before retiring to Mills River in 2015. She has created many of her own designs, some of which have been published by Stacy Charles Yarns and Claudia Handpainted Yarns, as well as appearing on Ravelry under the Loops label. Knitting has been her passion and favorite form of relaxation for many years.
Jeri Buek: Punch Needle
My husband, Tom and I retired to Hendersonville from Houston, TX fourteen years ago. Since coming to the area, I have been busy with all types of sewing. Material Things Quilt Shop gave me the opportunity to create items for display, including quilts, punch needle embroidery and wool appliqué.
In 2012, I was invited by the State of NC to participate as a member of the Village of Yesteryear at the NC State Fair in Raleigh, to demonstrate punch needle and wool appliqué. It was a great experience to be able to teach curious children and their parents about a craft that was relevant to a time period in our history.
I was a stay-at-home mom with a sewing business that kept me busy for a number of years with weddings, costumes and home decoration as well as children’s clothes, of course.
The classes at the Boarding House at Historic Johnson Farm have given me an opportunity to meet some very talented people with great ideas.
Learning never stops for any of us.
Claudia Lampley: Rug Hooking
Born and raised in the North Carolina Piedmont, Claudia fell in love with the Blue Ridge mountains when she attended Appalachian State. With the exception of one year in Greenville, S.C., Claudia has not left the Southern Appalachian range since.
Professionally, Claudia specialized in printing and layout design. Paper is just another form of fiber, after all. And indeed her fiber fixation began young—her aunt was a home economics teacher, who every year would give Claudia a new project to make or learn for Christmas. Claudia’s aunt had hooked rooster chair pads in her kitchen, but while her aunt taught Claudia many crafts, hooking was not one of them. It wasn’t until Claudia was an adult that she learned how to rug hook taking a class at Blue Ridge Community College.
While an equal opportunity crafter, Claudia always seems to come back to wool. She currently is working on a geometric sampler rug for her class in 2016, but enjoys wool appliqué and wool felting too. And she’s particularly fond of her tools—especially her Miller hook and offset scissors. So long as she doesn’t run with them.
Paula Ashworth: Spinning Wool
Paula’s fiber memories could quite possibly precede her existence on earth. When in the womb, her mother and grandmothers gathered on Sundays after church to sew and knit Paula’s baby clothes that she would later put on her doll once she outgrew them. As a very young girl Paula was always playing in the family button box or stringing empty spools on a shoestring. Finally, her grandmothers taught her to knit when she was 5 or 6 and her mother taught her to sew about the same time. Paula made her own clothes for school from 4th grade on, and eventually her children’s clothes until they had to have store bought or die of embarrassment.
While the sewing came quickly for Paula, spinning was decades in the making. From the first craft show in Brevard where she witnessed Barbara Miller spinning; to a Christmas gift from her mother-in-law of a very heavy drop spindle, at least 1” thick whorl, some rusty antique hand cards, and a box of wool; to connecting with a community of spinners when living in Texas; to her first of many wheels; to Christmas presents of hand knitted socks made from the fiber her mother-in-law had given her 20 years earlier; to retiring to her husband’s family land; to a flock of 60 sheep (for which she sews coats so they stay warm after shearing), has been a journey of love and discovery.
Paula relishes the process of using and then making fiber until she can go no further back than the sheep or the plants themselves. It pairs wonderfully with her love of history and joy of learning and her desire to care for the land with which she has been blessed. Paula is moved to teach what others have taught her to at least one other person, in person, before such knowledge is either lost or turned over to the Internet.
My name is Seth Lamielle. I grew up in a small town named Carrollton, Ohio. After spending my whole life in Ohio, I needed a change of scenery. I
have been living in Weaverville for over a year, and I am enjoying the mountain life. I have been an artist since childhood. I grew up drawing, painting, sculpting, and beading. After school, I
set off to learn some new crafts and skills. I branched out to discover resin casting, mixed media art, and even the art of tattoo. It was during my time as a tattooist that I discovered a
different art that involves beautiful things created with rapid punctures of needles. I chose to create art on the softer side. I discovered Needle Felting. I have been creating little felted
furry friends for over seven years. I look forward to meeting new artists and sharing my skills and experiences with some eager fiber artists looking to expand their skill set and create some
felted pieces of their own.
Teena Tuenge; My Weaving History (In Short)
I have been weaving since 1970 and have tried out many types of weaving from 2 shaft to 32 shaft. The reason I’ve stayed interested is that the options for creating fabric are so numerous.
I have continued to weave since then and love it.
Usually I can be found doing some designing on computer drawdown programs or threading the loom for something I’ve worked on or weaving the fabric to see if my ideas will work out. I often do fabric for clothing, scarves, but also household textiles such as towels and runners. Have done shower curtains and bath towels as well. I am a member of the Southern Highland Craft Guild and sell items at the Folk Art Center and the Guild craft shows.
I have had an interest in teaching since I was in elementary school and express that interest now in teaching weaving when I can. I’ve done guild programs and workshops since the late 70’s. And taught classes at various art centers where I have lived. I have taught adults mostly, but also children at times.
One simple kind of weaving has intrigued me from early on, that is tablet weaving. Those little 3.5” x 3.5” pieces of cardboard are a whole 4-shaft loom in themselves. Depending on how the holes in the card are threaded, whether they are threaded from front to back or back to front, whether they are turned forward or backwards, and whether they are turned as a pack or as sets, etc., etc. makes it possible to use them for very complicated looking designs.
I had woven several projects in the 70’s and 80’s, but I became interested in this again last fall when the bad weather threatened a power outage that could last a few days. What would I weave? All my regular looms are hooked up to a computer. I had my homemade inkle loom warped up with a card weaving pattern, so I was already set to go. John Mullarky’s video was on sale and I discovered TWIST (Tablet Weavers International Studies and Techniques) WoW!
I also had Peter Collingwood’s tome on tablet weaving and got going again.
Hope to get you going also.
Like many crafters, I enjoy creating in a tactile environment. I enjoy weaving a Nantucket Basket as it satisfies this need and allows me to create something of beauty and function. I'm originally from Massachusetts, yes the accent does give me away, and will enjoy sharing the history of Nantucket Baskets with you. These are tightly woven baskets worked on a wooden form. I'm rather a serial crafter, as I enjoy many different crafts that allow me to closely work with the materials to create!
Micheline “Rusti” Nichols
My roots are in Belgium and in East Tennessee, my dad being an American GI stationed in my mother’s village of Flawinne,Belgium during WWII. My mother and I immigrated to the US a few months after I was born. She instilled in me the love of needlework, crafting, and gardening at a very early age, things all Belgian girls learned.
I wove my first basket as a young teen in Girl Scout Camp. Then as a stay at home mom with 3 preschool aged children, I found and bought a basket weaving book, some reed and began teaching myself basketry. As the kids began school, I went to work and back to school for my Master’s. No time for weaving until retirement, and then I was able to renew my interest in basketry, which evolved into inkle weaving (at the nudge of my neighbor, Irene Munroe), then Ridgid Heddle, now loom weaving. But basketry has continued to be near and dear to my heart. I fell in love with the Cherokee style of basketry and have focused on the various types of twills.
For about 4 or 5 years, I taught some basket weaving classes/workshops in Waynesville and currently teach a workshop each summer at our Balsam Community Center as a fund raiser for the center. Seeing the pride in peoples’ faces who have never woven a basket, is worth all the hard work that goes into teaching a workshop. I have never failed to hear, “Now I know why handwoven baskets cost so much!” Hopefully they all have come away with an appreciation for the art of basketry.